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Collaborating on projects has now been made significantly easier thanks to Sync Settings which keep your settings, workspaces, and even keyboard shortcuts organized across multiple computers. Creative Cloud is also integrated with Behance, so you can share your projects and get instant feedback from other designers and editors around the world. This is thanks to the Adobe Mercury Playback Engine which means you can work natively with a huge number of video formats compared to most video editors. Amongst the other many other powerful features of Adobe Premiere is the possibility to export to Blu-Ray format and even tapeless video cameras.

Design professionals that are familiar with other Adobe products will find Adobe Premiere Pro intuitive and familiar to use. Beginners however may feel overwhelmed by the complexity of this program although Adobe offers highly detailed documentation and lots of tutorial videos about how to get to grips with the basic functionality. Some users won't appreciate the switch to Creative Cloud and the subscription model it entails and no doubt Adobe will lose some users to Apple's Final Cut Pro. However, it does make collaborating on projects easier, updates are issued instantly and integration with other Adobe products is much improved.

Still an industry standard video editing suite In the latest version of Adobe Premiere Pro new improvements have been added such as search bins, a more refined user interface with HiDPI support, multi-project workflows, improved master clip effects and advanced timeline search capabilities. Adobe Premiere Pro is a state-of-the-art video authoring tool that features all the tools, functions, filters and effects you need for professional video edition and creation.

What do you think about Adobe Premiere Pro? Do you recommend it? With built-in ad blocker, battery saver, Messenger and extensions. Almost ready. To start the journey with Opera. Run the downloaded file and perform installation. Mac Multimedia Adobe Premiere Pro Real-time editing for professional video production Adobe is acclaimed worldwide for its impressive software tools, many of which have become true industry standards in different fields and Adobe Premiere Pro is one of it's flagship products.

View full description. PROS Highly professional video editing solution Fully compatible with other Adobe tools Supports exporting to Blu-Ray Work natively with a huge number of video formats Creative Cloud updates issued instantly Sync projects across computers.

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Softonic review Adobe is acclaimed worldwide for its impressive software tools, many of which have become true industry standards in different fields and Adobe Premiere Pro is one of it's flagship products. A highly professional video suite Adobe Premiere provides professional video creators and producers with all the tools they need for their daily work. Sync projects on any computer Collaborating on projects has now been made significantly easier thanks to Sync Settings which keep your settings, workspaces, and even keyboard shortcuts organized across multiple computers.

Complex for beginners but plenty of help Design professionals that are familiar with other Adobe products will find Adobe Premiere Pro intuitive and familiar to use. In the latest version of Adobe Premiere Pro new improvements have been added such as search bins, a more refined user interface with HiDPI support, multi-project workflows, improved master clip effects and advanced timeline search capabilities.

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What's New. Live Text templates. Masking and Tracking. The dark program window makes your clips the center of attention, and you can switch among functions like Assembly, Editing, Color, Effects, Audio, and Titles. You can edit these or create your own custom workspaces, and even pull off any of its panels and float them wherever you want on your display s. You can now create content bins based on search terms. By default, the editor uses a four-panel layout, with the source preview at top left, a project preview at top right, your project assets at lower-left, and the timeline tracks along the lower right.

You can add and remove control buttons to taste; Adobe has removed a bunch by default for a cleaner interface. Since many editors rely on keyboard shortcuts like J, K, and L for navigating through a project, fewer buttons and a cleaner screen make a lot of sense.


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It's a very flexible interface, and you can undock and drag around windows to your heart's content. When you hover the mouse over a clip in the source panel, it scrubs through the video. Premiere is now touch-friendly, letting you move clips and timeline elements around with a finger or tap buttons. You can also pinch-zoom the timeline or video preview window. You can even set in and out points with a tap on thumbnails in the source bin. Final Cut supports the new MacBook Pro Touch Bar, but I prefer the on-screen touch capability, since, unlike the Touch Bar, the touch screen doesn't require you to take your eyes off the screen and therefore your video project.

When you click on a media thumbnail, you get a scrubber bar and can mark in and out points right there, before you insert the clip into your project.


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  5. Premiere offers several ways to insert a clip into your sequence. You can click the Insert or Overwrite buttons in the source preview monitor, or you can just drag the clip's thumbnail from the media browser onto the timeline or onto the preview monitor. Holding Command or Ctrl on Windows makes your clip overwrite the timeline contents. You can even drag files directly from the OS's file system into the project. The media browser also has tabs for Effects, Markers, and History, the last of which can be help you back to a good spot if you mess up. Markers, too, have been improved, with the ability to attach notes and place multiple markers at the same time point.

    Markers can have durations in frame time codes, and the Markers tab shows you entries with all this for every marker in a clip or sequence. Clicking on a marker entry here jumps you right to its point in the movie. Any device that can create video footage is fair game for import to Premiere Pro.

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    The software can capture from tape, with scene detection, shuttle transport, and time-code settings. Resolutions of up to 8K are supported. For high-frame-rate video, the program lets you use proxy media for faster editing. Premiere Pro continues to offer the four edit types that sound like they belong at a waterpark—Roll, Ripple, Slip, and Slide—and adds a Regular Trim mode.

    They're all clearly accessible at the left of the timeline. The cursor shape and color give visual cues about which kind of edit you're dealing with. A welcome new capability is that you can actually make edits while playback is rolling. In a nice touch, holding down the mouse button while moving a clip edit point or double-clicking on an edit point opens a view of both clips in the preview window. If you double click on the edit point it switches to Trim mode, which shows the outgoing and incoming frames, with buttons for moving back and forward by 1 frame or 5 and another to apply the default transition.

    As with Adobe Photoshop image layers, layer support in Premiere Pro lets you apply adjustments. These will affect all tracks below them. You create a new adjustment layer by right-clicking in the project panel. Then you drag it onto a clip your timeline, and start applying effects.

    If you've been reading my recent reviews of enthusiast-level video editing software, you may be surprised to learn that Premiere Pro includes just 38 transition options by default you can of course install plugins for more. This is because in the pro community, most of those hundreds of transitions offered by the likes of CyberLink PowerDirector are considered tacky—if pros want to do fancy transitions, they build their own striking, custom ones in After Effects or buy polished premade ones via third-party plug-ins.

    Otherwise, all the video effects you'd expect are present—keying, lighting, colorizing, and transforming. You can apply an effect just by double clicking. A search box makes it easy to find the effect or transition you need. The Warp Stabilize feature, brought over from After Effects, is very effective at smoothing out bumpy video. But it takes a while, analyzing one frame at a time. You can adjust the amount of cropping, tweak the percent smoothness, and make the borders auto-scale. But the long wait pays off.

    The result was very noticeably smoother than in Final Cut Pro X in my testing. New collaboration features rank high in the list of new features in Premiere Pro.

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    Creative Cloud Libraries let you store and organize assets online, and the beta Team Projects feature lets editors and motion graphics artists using After Effects collaborate in real time. This also means that editors can go to any machine running Premiere and see their environment tweaks duplicated by signing into the cloud.

    Premiere lets you view degree VR footage and change the field of view and angle. You can view this content in anaglyphic form, which is a fancy way of saying you can see it in 3D using standard red-and-blue glasses. You can also have your video track a head-mounted display's view. The program, however, couldn't open my Samsung Gear footage unless it was already converted to equirectangular format. You can't see the spherical view alongside the flattened view as you can in those apps, either, but you can easily toggle back and forth between these views if you add the VR button to the preview window.

    Helpfully, the tool lets you tag a video as VR, so that Facebook or YouTube can tell it's degree content.


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    Multi-cam in Premiere can now accommodate an unlimited number of angles, limited only by your system capabilities. Final Cut Pro X lets you work with only 64 angles, though most projects won't need more. In Premiere, you select your clips and choose Create Multi-Camera Source Sequence from the right-click or Clip menus, and then choose a syncing method. The program now does a good job of syncing clips based on their audio, which is helpful for DSLR-shot clips, since they have no time codes.

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    As in Final Cut, a Multi-Camera Monitor lets you record angle changes as the composite video plays, either by simply clicking on the angle's tile or corresponding number. You can then adjust the cuts with the normal editing tools. These tools offer a remarkable amount of color manipulation, along with a great selection of film and HDR looks. You can adjust white balance, exposure, contrast, highlights, shadows, and black point—all of which can be activated with keyframes.

    Saturation, Vibrance, Faded Film, and Sharpen adjustments are also available. But the curves and color wheel options are truly impressive. There's also a very cool Lumetri Scope view, which shows the current frame's proportional use of red, green, and blue. You can opt to apply any of these effects only in masked areas, which you can create from polygons or by using a pen tool.

    For motion, tracking, however, you need to look to After Effects, so those masks won't automatically track, say, a face. I miss Final Cut Pro X's automatic color-matching feature, which gives contiguous scenes consistency. You can use it to make adjustments as the project plays. New tracks are automatically created when you drop an audio clip in the timeline, and you can specify types like Standard which can contain a combination of mono and stereo files , mono, stereo, 5.

    Double-clicking the VU meters or panning dials returns their levels to zero. The audio meters next to your timeline are resizable and let you solo any track. The program also supports hardware controllers and third-party VSP plugins. As you might expect, Premiere Pro offers a wealth of text options for titles and captions. For titles you get a great selection of fonts, including Adobe Typekit fonts. You can choose leading and kerning, rolling, crawling, rotation, opacity, texture, and more. As in Photoshop, you can apply strokes and shadows to any font. Advanced text animation, however, once again falls to After Effects.

    By comparison, enthusiast-level programs like PowerDirector and Pinnacle Studio offer a good selection of title animations right in the video editor. One of Premiere's strong points is the way it works with other Adobe CC apps. In particular, video editors commonly need to create assets in Photoshop and After Effects. You can move content between the apps in its native format without the need for any type of conversion, through the Adobe Dynamic Link menu choice.